518, CHAMMUS-22, Ewazen, Eric, Double Concerto for Trumpet, Trombone and Orchestra, tpt, tbn, and orch, full score, pf red., and solo parts. 519, CHAMMUS-23, Ewazen, Eric, An Elizabethan Songbook, tpt, tbn or euph, pf, score and parts, includes parts for trumpet in Bb and C, and trombone or euphonium in bass and. I don't know anyone like that. We all want to excel, to be great at something – or some things – and the pursuit of excellence is high on just about everyone's life list. Here's an example, a short excerpt from the bass trombone part to the second movement, Scherzo, from Gustav Mahler's Symphony No. 1: Mahler_1_excerpt.

And I met in the summer of 1987, when I was Bass Trombonist of the Boston Symphony Orchestra and he was a Fellow at the Tanglewood Music Center. As Bass Trombonist of the Saint Louis Symphony since 1995, he is a superb player and a quality person, and over the years, we’ve kept in contact and we’ve followed each other’s careers, although we didn’t have an opportunity to meet up again until 2014. At that time, Gerry came to Arizona to collaborate on a recording project with his friend, jazz trombonist – jazz alto trombonist, actually –, on an album that became.

Since he was going to be in the area, I invited Gerry to come to Arizona State University to give a masterclass – I was, at that time, ASU’s Trombone Professor. To start off the class, Gerry and I performed Tommy Pederson’s duet, The Crimson Collop, and later that day, returned to my office,, and posted it on YouTube. It’s received over 21,000 views. Such was the seed that led Gerry and me to come together earlier in this month to record a new album of duets for bass trombone. In light of the popularity of our The Crimson Collop video, we thought it might be fun to record all of the bass trombone duets written by Tommy Pederson. But as we continued talking about it, we decided a more diverse selection of repertoire might be more interesting; we then both started bringing other repertoire ideas to the table.

Plenty of Pederson, of course, but also Renaissance duets, a canon by Telemann and some Bartok violin duets. Gerry suggested a movement from Bach’s Concerto for two violins in d minor, a piece I hadn’t played since I was an undergraduate at Wheaton College in the early 70s. But we needed more music.

It was at that point that Gerry began talking more about Mike Lake. Early in our conversations, Gerry suggested Mike as our recording engineer since Mike has a studio in Arizona. While I knew of Mike, I couldn’t say that I knew him, but I was happy to take Gerry’s suggestion to involve Mike in the project; we did, after all, need a recording engineer and if Gerry had already worked with Mike – in fact, they have known each other for many decades, having been roommates for a time – that was fine with me. As our conversations continued, Gerry began proposing more involvement for Mike, such as the possibility that Mike might play trombone on something on the album. Gerry also also talked about how Mike could “add things” to some tracks.

I honestly didn’t know where this was going. Having made many solo recordings myself over the years, I had a very clear idea of the kinds of things I wanted this new album to be about, and I was used to being the one who put forth ideas and called the shots. What Gerry was proposing was uncharted territory for me. Gerry was asking me to trust him and Mike, and take some risks as ideas kept flowing. Dizionario Ceco Italiano Pdf File on this page.

And, so, I offered trust and embraced the risk. Then began new conversations of ideas from Mike.

Overdubbing ourselves on some pieces, adding different sounds as background in some cases, both musical and non-musical textures and treatments. Acoustic, recorded, and computer generated things. Katekyo Hitman Reborn Op 7 Full Mp3 Download.

Percussion, voices, Hammond organ, sound effects, synthesizer, harpsichord. Mike offered to compose a piece for Gerry and me, one that would feature him improvising for a chorus, and he asked if I also could improvise – on – on his tune. Things were moving at the speed of light and I felt caught up in a tsunami – a constant, relentless push – of ideas. Having given Mike my trust, I went with it to see what would happen. Trust can lead to risk, and risk can bring unexpected rewards. And that is where I stand today.

After three days of recording sessions – days that included filming a music video in the Sonoran Desert about this project with the help of Mike’s drone – we are in the process of evaluating Mike’s editing of the tracks and seeing where things lead. Last night, Mike sent along the first edit of Tommy Pederson’s duet, Rumble on 6th Street. Download Ratchet And Clank For Pc. It’s a dramatic piece that always seemed to me to be about a fight, like the rumble in Leonard Bernstein’s West Side Story.