• • • The Doors of Perception is a philosophical essay, released as a book,. First published in 1954, it details his experiences when taking.

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The book takes the form of Huxley's recollection of a mescaline trip that took place over the course of an afternoon in May 1953. The book takes its title from a phrase in 's 1793 poem. Huxley recalls the insights he experienced, which range from the 'purely aesthetic' to 'sacramental vision'. He also incorporates later reflections on the experience and its meaning for art and religion. Main article: Mescaline is the principal active agent of the and cacti, which have been used in religious ceremonies for thousands of years.

A German pharmacologist,, isolated the in the peyote cactus in 1897. These included mescaline, which he showed through a combination of and was the compound responsible for the properties of the plant. In 1919,, another German chemist, synthesised the drug. Although personal accounts of taking the cactus had been written by psychologists such as in the US and in the UK during the 1890s, the German-American was the first to systematically study its psychological effects in a small book called Mescal and Mechanisms of Hallucinations published in 1928. The book stated that the drug could be used to research the unconscious mind. Seriale De Dragoste In Spaniola here.

Peyote as entheogen drug [ ] In the 1930s, an American anthropologist, published The Peyote Cult, the first study of the ritual use of peyote as an drug amongst the people of western Mexico. La Barre noted that the Indian users of the cactus took it to obtain visions for prophecy, healing and inner strength. Most psychiatric research projects into the drug in the 1930s and early 1940s tended to look at the role of the drug in mimicking. In 1947 however, the US Navy undertook, which examined the potential for the drug as a truth revealing agent. In the early 1950s, when Huxley wrote his book, mescaline was still regarded as a research chemical rather than a drug and was listed in the catalogue with no controls. Mescaline also played a paramount part in influencing the beat generation of poets and writers of the later 1940s to the early 1960s.

Most notable, William S. Burroughs, Jack Kerouac, and Allen Ginsberg —-all of whom were respected contemporary beat artists of their generation.

Theirs and many other contemporary artists works were heavily influenced by over the counter forms of mescalin during this time due to its potency and attainability. Huxley had been interested in spiritual matters and had used alternative therapies for some time. In 1936 he told that he was starting to, and he used other therapies too; the and the of seeing had particular importance in guiding him through personal crises.